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Hans Van Manen

(1932–2025) was a world-renowned Dutch choreographer, dancer, and photographer, widely celebrated as a grand master of contemporary ballet. He passed away on December 17, 2025, at the age of 93. 

Early Career and Major Affiliations

  • Training: He began his dance studies in the late 1940s under Sonia Gaskell and later danced with the Netherlands Opera Ballet and ‘s company in Paris.
  • Nederlands Dans Theater (): A pivotal figure at NDT, he served as a dancer and choreographer before becoming its Artistic Director from 1961 to 1971.
  • : He spent decades as a resident choreographer, beginning in 1973 and returning in 2003, creating over 150 works throughout his career. 

Artistic Style

Known as the “Mondrian of dance,” van Manen’s work is defined by: 

  • Precision and Clarity: A “less is more” approach featuring clean lines and refined simplicity.
  • Human Relationships: His ballets avoided narrative storytelling, focusing instead on the emotional and erotic dynamics between partners.
  • Innovations: He pioneered the fusion of classical ballet with modern techniques and was a precursor in using live video on stage (notably in Live, 1979). 

Key Works

  • Grosse Fuge (1971)
  • Adagio Hammerklavier (1973)
  • 5 Tangos (1977)
  • Frank Bridge Variations (2005) 

Legacy and Honors

His works are performed by over 90 international companies, including and the Paris Opera Ballet. His many honors include the Erasmus Prize (2000), the Benois de la Danse for Lifetime Achievement (2005), and multiple knighthoods in the Netherlands and France. 

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  • Nederlands Dans Theater, under the Artistic Direction of Paul Lightfoot, is one of the world’s leading contemporary dance companies. In 1978, NDT 2 was founded to develop young talent for the main company. Since then, NDT 2 has developed into an independent company with its very own repertory, now under the artistic direction of Nancy…


  • In a white set with a shifting, illuminated neon line on the horizon (designed by Jean-Paul Vroom), four men display their virile strength to four women, dancing to Beethoven’s Fugue. Their stretched arms, clenched fists and measured movements lend a whole new dimension to Beethoven’s impressive composition. When the women take over the dancing, the…


  • In 2017, the Hans van Manen Festival, organised by Dutch National Ballet for the occasion of Van Manen’s eighty-fifth birthday, was the highlight of the theatre season. Metaforen (1965), Reflection and symmetry In creating the ballet, Van Manen’s starting point was an imaginary mirror wall down the centre of the stage, making the movements on…


  • Following the recent programme Hans van Manen Variations, Dutch National Ballet presents another ballet from Hans van Manen’s treasury: In and Out. The choreography danced by the twelve dancers of the Junior Company. The Junior Company danced In and Out for the first time on 7 March 2020 in Theater De Meervaart, Amsterdam. The latest generation of Junior Company…


  • Hans van Manen, who was born in Nieuwer-Amstel in the Netherlands in 1932, has a unique aesthetic which makes him one of those style-defining ballet creators of the modern era that we find continually astonishing. His ballet “Live”, set to piano music by Franz Liszt, is an icon of dance history and until recently belonged…