
best opera
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For years, the tension between the group and the individual has been at the heart in Platel’s choreographic works. In C(h)œurs, he examines how “dangerously beautiful” a group can be, helped by his company of dancers and the Teatro Real…

Free she was born and free she will die. This sometime cigar-maker, sometime smuggler with something of the sorceress about her is often in love – as capable of making a deserter of the sergeant Don José as she is…

Giuseppe Verdi’s Messa da Requiem is not only a musical prayer, but also a vision of the afterlife and the drama of Judgement Day that is rich in imagery. The musical requiem mass was created in two stages. Initially, Verdi wrote a Libera…

Why does everything go wrong for this tormented man? In the timeless tale from the Finnish national epic, Kullervo unknowingly seduces his own sister, kills his enemies and finally falls on his own sword. When composer Jean Sibelius as a…

Premiere of Sadko at the Bolshoi Theatre took place on 24 October 1906. Since then, it almost permanently remained in the repertoire (with an exception in the period from 1938 to 1949) right up until the last decades of XX…

Louis Langrée, Guillaume Gallienne and Clairemarie Osta combine performing arts to honour these two masterpieces, inspired by the gallant XVIIIth century, in a show that celebrates comic spirit’s fruitfulness and freedom in genre. Once again, all the girls are in…

Iolanta is a blind princess. A famous doctor can cure her, but only after she is being told about her blindness. Her father doesn’t want to break that horrible news to her. Lotte de Beer: “In her blindness Iolanta lives…

In this double programme with Ensemble Intercontemporain live on stage, Saburo Teshigawara and Rihoko Sato dance on Arnold Schönberg’s Pierrot Lunaire and Alban Berg’s Lyric Suite. Stripped down, poetic and light as a feather. “Lost in dance” is masterful dance…

This chamber opera from Dusapin (his 6th) is quite remarkable, in that it attempts a complete synthesis of contemporary (and often erotic) choreography with contemporary music as absolutely equal partners in telling the opera’s story. Whether you’ll find Dusapin’s “back…