A Louer

A Louer, directed by Gabriela Carrizo and Franck Chartier, is a fascinating journey through thoughts, memories, visions of the future, dreams and nightmares. In A Louer, there is no linear time, but rather a focus on that moment of boredom…

A Louer, directed by Gabriela Carrizo and Franck Chartier, is a fascinating journey through thoughts, memories, visions of the future, dreams and nightmares. In A Louer, there is no linear time, but rather a focus on that moment of boredom…

Le Sous Sol is the final part of Peeping Tom‘s first trilogy that had started in 2002 with Le Jardin, followed by Le Salon in 2004. In Le Sous Sol, the members of the family encountered previously in the trilogy…

Le Salon marks the second part of a trilogy that started with Le Jardin in 2002 and ended with Le Sous Sol in 2007. This piece shows the mental, physical and financial decay of what was once a wealthy family.…

Le Jardin was Peeping Tom‘s first creation for the stage. The performance is a diptych, comprising a film – made in an African nightclub in Brussels – and a piece of dance theatre. In Le Jardin, the most diverse and…

Originally Argentine choreographer Gabriela Carrizo (1970, Córdoba) founded the Brussels collective Peeping Tom in 2000, together with Franck Chartier. Since then, Peeping Tom has grown into a nationally and internationally appreciated dance theatre company. Carrizo’s experimental style is at the…

In 2012, Max Richter recomposed Vivaldi’s Four Seasons, in order to revive this mythical score that he considered worn out by too many listening and commercial covers. On the occasion of the 300th anniversary of the work, four choreographers seized…

32 rue Vandenbranden, directed by Gabriela Carrizo and Franck Chartier, takes us to a mountain landscape with only two rickety campers for shelter under a wide-open sky. We find ourselves in a small isolated community where the inhabitants are confronted…

In Moeder, directed by Gabriela Carrizo, Peeping Tom explores the memory and the central figure of the mother, with the same tender and sardonic eye that runs through all of its productions. At once funny and eerie, Moeder is disturbing,…

In Triptych: The missing door, The lost room and The hidden floor, several characters are wandering through an ocean liner. They set out to seek an ideal, they left filled with hope, but are now lost in this mysterious and…