Toronto Dance Theatre returns to the Fleck Dance Theatre with Glass Fields, an exhilarating program of premieres created in response to Christopher House’s masterwork Glass Houses (1983). Set to Ann Southam’s exuberant piano music, Glass Houses was described by the New York Times as “downright startling – spewing forth…
English National Ballet presents Annabelle Lopez Ochoa‘s critically acclaimed Broken Wings, featuring Tamara Rojo in the role of Frida Kahlo alongside legendary ballet star Irek Mukhamedov as Diego Rivera. The music, by Peter Salem, the show is performed by English…
Inspired by the life and work of Camille Claudel and Auguste Rodin, In Her Hands reflects on the relationship between the two French sculptors. It is a glimpse into the mind and heart of a woman challenged by the fragility of her…
During her 1980 stay in New York, in which she first rehearsed her celebrated Violin Phase to the music of Steve Reich, the only other recording playing in Anne Teresa De Keersmaeker‘s studio was the Brandenburg Concertos by J.S. Bach.…
What is more indispensable, more immediate, what is more inseparable of us than our body? We are our body and exist through it. Everything we do develops on the limits of our body, through skin and touch. The body is…
A provincial theatre troupe in the former Soviet Union has ambitions of performing in Moscow. A sugar-smuggling pact with the mafia was supposed to make their dream come true, but endless circles in muddy outskirts are starting to rise doubts…
During spring of 2020, the world was paralysed by the corona pandemic and theatres all over the world were forced to close. Performances were cancelled and ballet companies worldwide were faced with a dilemma. No more audience and challenges were…
Following the recent programme Hans van Manen Variations, Dutch National Ballet presents another ballet from Hans van Manen‘s treasury: In and Out. The choreography danced by the twelve dancers of the Junior Company. The Junior Company danced In and Out for the first time…
A moment with Pina Bausch‘s The Rite of Spring A beach of white sand. The light bleaching from the sky. A girl lying on a red cloth. An eerie bassoon piercing the silence. This is the way in which audiences…
“You could endlessly debate the symbolism here […] Whatever its meaning […] the piece is breathtaking for the extraordinary dancing by the Batsheva dancers, and the way Mr. Naharin can evoke states of pleasure, pain, madness and a kind of…
