Woolf Works

Wayne McGregor’s award-winning ballet triptych is inspired by the writings of Virginia Woolf, with an original score by Max Richter

By In Ballet 2 hours 27 min

Considered one of the most important modernist 20th-century authors, Virginia Woolf in her writings searched for forms that defied the false order of traditional narrative conventions and enabled her to depict reality as she perceived it: heightened, startling and poignant.

Life is not a series of gig-lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end… the proper stuff of fiction is a little other than custom would have us believe it

Virginia Woolf, ‘Modern Fiction'

Enmeshing themes from three of Woolf's landmark novels, ‘Mrs Dalloway', ‘Orlando', and ‘The Waves', alongside elements of her letters, essays and diaries, Woolf Works recreates the synaesthetic collision of form and substance at play in Woolf's novels, expressing the heart of an artistic life driven to discover a freer, uniquely modern realism, while bringing to life Woolf's world of “granite and rainbow” where human beings are at once both physical body and uncontained essence.

Woolf Works is structured into three acts; ‘I now, I then', ‘Becomings' and ‘Tuesday', each starkly distinct in visual design and choreography.

Woolf Works is not a literal description of Woolf's writing. It's very lavish, with new visualisation techniques and a collage structure; a full-on assault and collision of the senses. I think it's interesting to have choreographed and designed the piece in the spirit of Woolf's writing, in an unfolding stream of consciousness, rather than as a literal translation of the novels narratives

The unconventional structure and collision of ideas in Woolf Works, in response to and reflective of Woolf's approach to writing, was curated by a sterling team of collaborators, from composer Max Richter to architectural practices Ciguë and We Not I, and McGregor's long-time collaborators Lucy Carter, Moritz Junge and . At the start of the creation process, McGregor worked closely with dramaturg Uzma Hameed on analysing and diving into Woolf's writings, finding a richness in Woolf's words and ideas that inspired the team to create.

Direction and Choreography: Wayne McGregor

Music: Max Richter